Sunday, 7 August 2016

THE GREAT WALL FULL MOVIE (Upcoming)

Story Line of this Movie: A mystery centered around the construction of the Great Wall of China.

Director: Yimou Zhang  
Writers: Max Brooks (story by), Tony Gilroy (screenplay)
Stars: Matt Damon, Pedro Pascal, Tian Jing | See full cast & crew 


Details:



Country: China | USA

Language: English

Release Date: 17 February 2017 (USA)

Also Known As: The Great Wall
Filming Locations: Qingdao, China, etc.

Technical Specifications:

Color: Color
Camera: Arri Alexa 65, Hasselblad Prime 65 Lenses
Negative Format: Codex
Cinematographic Process: ARRIRAW (6.5K) (source format) Digital Intermediate (master format)
Printed Film Format: D-Cinema


APOCALYPTO FULL MOVIE

As the Mayan kingdom faces its decline, the rulers insist the key to prosperity is to build more temples and offer human sacrifices. Jaguar Paw, a young man captured for sacrifice, flees to avoid his fate.

Director: Mel Gibson
Writers: Mel Gibson, Farhad Safinia
Stars:Gerardo Taracena, Raoul Max Trujillo, Dalia Hernández | See full cast & crew. 
 
Storyline of Apocalypto

In the Maya civilization, a peaceful tribe is brutally attacked by warriors seeking slaves and human beings for sacrifice for their gods. Jaguar Paw hides his pregnant wife and his son in a deep hole nearby their tribe and is captured while fighting with his people. An eclipse spares his life from the sacrifice and later he has to fight to survive and save his beloved family.

Details: 


Country: USA

Language: Maya

Release Date: 8 December 2006 (USA)

Also Known As: Mel Gibson's Apocalypto.

Filming Locations: Catemaco, Veracruz, Mexico.
 
Technical Specifications:
 
Runtime 2 hr 19 min (139 min)
Sound Mix DTS | SDDS | Dolby Digital
Color Color
Aspect Ratio 1.85 : 1
Camera Aaton A-Minima
Arriflex 35-IIC, Panavision Primo Lenses
Arriflex 435, Panavision Primo Lenses
Ikonoskop A-Cam
Panavision Genesis HD Camera, Panavision Primo, Lightweight and Nikon Lenses
Laboratory DeLuxe, USA
EFilm (digital intermediate)
Film Length 3,768 m (Sweden)
3,801 m (Portugal, 35 mm)
Negative Format 16 mm (Kodak Vision2 500T 7218)
35 mm (Kodak Vision2 50D 5201, Vision2 500T 5218)
Video (HDTV)
Cinematographic Process Digital Intermediate (2K) (master format)
HDCAM SR (source format)
Spherical (source format)
Super 16 (source format)
Printed Film Format 35 mm (Kodak Vision Premier 2393)
D-Cinema.
 

User Review: 

Having some Mexican-Indian blood in me, I've always been interested in what I could read about the Aztecs and Mayans and others. But never did I achieve as elaborate a vision in my head, try as I might, as Mel Gibson has with the beautiful Apocalypto. Is it accurate? I've more than just strong doubts in at least one case, but like all good fiction, it probably tells more truth, despite its inaccuracies, than a dozen scholarly tomes. The movie is engrossing and, even more difficult, plausible and quite evocative. I would have bet any amount of money that this movie was impossible to make. And though some have complained that the film's ending involves an historical inaccuracy, I think there was more than enough reason to put it in.

There's a strong story that reminded me of other Third World folklore I've read, only better. In a lot of ways these people could have been North American Indians, but somehow that's not much of a criticism. And Gibson's recent PR problems only highlighted, for me, how it took an Australian-reared actor to make an exciting film about natives before Columbus. Clearly Hollywood is incapable of even conceiving of such a movie, much less bringing it brilliantly to life. Hollywood has an agenda and very narrow perspectives. It's agenda has no room for illuminating the humanity of non-Westerners, and there's too much relying on the same old set of sensibilities and intuition. I think if Hollywood is up in arms it ought to be because Gibson is making them look inept.

But as to this particular subject matter, there's no doubt in my mind that what fascinates most Anglos about the Aztecs and the Maya is the idea of human sacrifice. Gibson depicts the ritual as having an element of frenzy to it, and he may be right, but what is more convincing to me, at least, is his idea of what a village raid must have been like. His point by point reconstruction is pretty compelling, and I'm quite sure he could make some early American military raids on Indian villages so vivid and unforgettable that grown men would cry. I only hope he does, but as to this film, I would have depicted the human sacrifice with a nod toward a notion most Anglos find completely foreign, namely that these people understood that gain often entails pain, and they were willing to pay the price. Was it really so unreasonable that these people thought God might want them to create pain, and not just endure it, to gain His favor given that life entails so much struggle anyway? That willingness to endure pain clearly survives today, not the desire to create it in others, and that's the only point I would have added to this wonderful film. 
 
One of the roughest, toughest art films I've ever seen. Remarkable, sensational. Non a mean task to put aside all the gossip surrounding the man behind this miracle and look at "Apocalypto" for what it is a startling piece of art done by one of the most startling artists of our time. But I was able to do exactly that and sit there open mouthed, totally transported to the world Mel Gibson had in store for me. I don't want to get into any spoilers but let me tell you there are, at least, 4 moments - not merely technical but emotional - that are a first for the movies. There is violence in the film yes, but not nearly as much as in "Casino Royale" and definitely more justified. I'll take my wife next time, she stayed home, brainwashed by the avalanche of misinformation claiming it was one of the most violent films ever made. I know my wife well enough to know she will love "Apocalypto" 
 
I found the movie EXCELLENT, I'm still in shock, recorded in Veracruz (in many places) gives a very savage/natural environment to Gibson's story, which it's able to 'take you there' 5 minutes after the movie starts. I would need a vote scale of 11 for giving a fair vote to this movie.

I'm from Mexico so I'll try to add a very particular point of view, for a Mexican person to the movie, since I have read almost every comment here for the movie and (with all my respects) there are three points I'd like to mention.

Please forgive my English mistakes.

At first, even if it's not really important, the movie plays (probably) in 1519, since it was in this year when Hernan Cortes reaches Veracruz coast (afther other expeditions, this time 3 years before the Aztec Empire was conquered by his army). Movie ends showing this moment indeed (or it really looks like!), so the story takes place before that moment, when Aztecs lived Moctezuma's last years reign (I think Gigson tries to show him shortly during the human sacrifices scenes, like a man wearing a very elaborated clothes and a big quetzal plume, sit just behind the Sume Priest who performed the sacrifices in the sacred stone).

Second, a lot of people giving their comments here believe is the MAYAN civilization that where warriors conquer, take prisoner and perform the sacrifices and that's not true, it's the Aztec civilization. In almost every mesoamerican culture splendor years, territorial extension (conquering), cultural level and social organization reached a very amazing point, and the constant military enterprises were the key for controlling (and exploit, of course) other culture towns. Aztecs were probably the most brilliant at this point, the roman empire in mesoamerica. They exploited commerce, agriculture, the had universities and used a lot of tech and industry advances, but savage and brutal activities was an always present characteristic with this people, too. People submission throughout the force was very common. Mayan civilization had a very similar moment, but not in 1519 (Mayan civilization had their best moment more than 100 years before, but they just suddenly disappeared). In that year, the last Mayan survivors lived probably dispersed in small towns in the Tropical Woods and Jungles in Mexico's southeast. Jaguar Paw and his village belong to this civilization.

Third, in spite of these facts, I understand Mr. Mel Gibson was not interested in clearing facts because movie is not intended to be a History class, but it was a GREAT way for telling a story (filled out of mysticism and magic, of course) in a very unknown environment. This means, he just avoid the history facts in order to tell his argument. I really admire his determination for filming his movie in the Maya and Nahuatl languages, and for showing these cultures moment at natural, it's a honor for my country. All my respects and my admiration. The BEST movie I've seen in YEARS and more than 1043.






EDGE OF TOMORROW

A soldier fighting aliens gets to relive the same day over and over again, the day restarting every time he dies.

Director: Doug Liman

Writers: Christopher McQuarrie (screenplay), Jez Butterworth (screenplay) | 2 more credits

Stars:Tom Cruise, Emily Blunt, Bill Paxton | See full cast & crew

Storyline:

An alien race has hit the Earth in an unrelenting assault, unbeatable by any military unit in the world. Major William Cage (Cruise) is an officer who has never seen a day of combat when he is unceremoniously dropped into what amounts to a suicide mission. Killed within minutes, Cage now finds himself inexplicably thrown into a time loop-forcing him to live out the same brutal combat over and over, fighting and dying again...and again. But with each battle, Cage becomes able to engage the adversaries with increasing skill, alongside Special Forces warrior Rita Vrataski (Blunt). And, as Cage and Vrataski take the fight to the aliens, each repeated encounter gets them one step closer to defeating the enemy.

Details

Official Sites: Official Facebook | Official site
Country: USA | Canada
Language: English
Release Date: 6 June 2014 (USA)
Also Known As: All You Need Is Kill
Filming Locations: Leavesden Studios, Leavesden, Hertfordshire, England, UK.

Technical Specifications:

Runtime

1 hr 53 min (113 min)
Sound Mix SDDS | Datasat | Dolby Digital | Dolby Atmos
Color Color
Aspect Ratio 2.35 : 1
Camera Arriflex 235, Panavision C-, E- and G-Series Lenses
Arriflex 435, Panavision Primo, C-, E- and G-Series Lenses
Panavision Panaflex Millennium XL2, Panavision Primo, C-, E-, G-Series, ATZ and AWZ2 Lenses
Panavision Panaflex Platinum, Panavision Primo, C-, E-, G-Series, ATZ and AWZ2 Lenses
Laboratory Technicolor Creative Services, London, UK (digital intermediate)
Technicolor, Hollywood (CA), USA (also prints)
Film Length 3,108 m (6 reels)
Negative Format 35 mm (Kodak Vision3 250D 5207, Vision3 200T 5213, Vision3 500T 5219)
Cinematographic Process Digital Intermediate (2K) (master format)
Panavision (anamorphic) (source format)
Super 35 (source format) (some shots)
Printed Film Format 35 mm (Kodak Vision 2383)
D-Cinema (also 3-D version)

 User Review: 

Edge of Tomorrow (EOT for me) will be the most surprising blockbuster of this year (maybe along with X-Men: Days of Future Past) for doing its job so well that beats every expectation about what it has to offer. A storyline about one man that is shown to us doing the "same" things every time could be dull. But EOT has a thoughtful script full of turns and fun that entertains and allows to Cruise to do new things inside that particular Groundhog Day.

I wont spoil anything because the movie is full of valuable twists, surprisingly good chemistry between Cruise and Emily Blunt (Full Metal B**ch) and it has an involving script aside of the spectacular action sequences. The first one in the movie is totally amazing. But the rest is as that good. The movie clearly develops in the action and the riveting pace. It offers what a great blockbuster should be and it reaches that superb goal.

Also Tom Cruise gives his best performance in so many time. Maybe, I'm not joking, this is his best performance ever. For the first time he is not doing an smiling hero. He is a coward. He is a scared and inexperienced soldier who has to learn to be more skillful (and to escape from his personal loop) every time he returns to the "same" day. And Cruise is wonderful in that role. You really don't recognize him. Forget his frequent smiling, his heroic or possible macho topics. This could be a new and groundbreaking role inside his career even if you are not a big fan of him (I'm not going as far as saying that this is his best movie or the most enjoyable one of all, but this movie could be one of his best ones too). And when a movie has a star doing his job properly and much better than expected, a great script and a riveting pace (the movie is never boring) the whole concept has the job done. And that's the case of EOT. Also the stellar performances from Bill Paxton and Brendan Gleeson are truly good.

In fact I'm glad that this one came after "Oblivion". That one was good, but this one is different and much better. Don't expect "Oblivion 2" or its same style because you will be wrong.

Please, trust me and go to the theater to enjoy this wonderful, original and surprising entertainment. It delivers much more than you could expect, delivers the best Cruise (in so many time that I personally think that this is Cruise at his best) and delivers a clever story with a good twist. Enjoy!

One of the most ingenious film concepts ever created, a cross between 'Saving Private Ryan' and 'Groundhog Day', 'Edge of Tomorrow' is a gripping and clever blockbuster sci-fi thrill-ride accompanied with taut, fast-paced action and compelling direction. Tom Cruise and Emily Blunt form a perfect chemistry that takes them from the training ground, to the battlefield through to the action-bound finale in Paris. The premise of the time-loop has been used many times before, but this time round there are enough exciting visuals and dynamic storytelling skills employed to make this one thrilling (and unexpectedly comedic) flick that is unpredictable and expertly designed. A model of cinematic craftsmanship. 

With thrilling action sequences, clever sense of humor and surprisingly intellectual storyline, "Edge of Tomorrow" shows a real deal of summer blockbuster movie and proves itself beyond expectation especially after unconvincing trailers. Perhaps the theme and alien character looks familiar with some popular sci-fi movies but it's still combined perfectly as an entertainment. Doug Liman as director smartly exploited 're-setting the day' aspect without making it complicated and escaping it from being dull with some quality combat moments also inserting lovable drama that is commanded by memorable chemistry from Tom Cruise and Emilly Blunt have carried whole scenes in it. Overall "Edge of Tomorrow" feels more satisfying than it might have been in any ways and shows how the non-sequel-reboot blockbuster movie should be done. It's definitely much fun than I have ever imagined and pleasurable to re-watch it over and over again..and more than 740 reviews.

 

THE LEGEND OF TARZAN




TARZAN, having acclimated to life in London, is called back to his former home in the jungle to investigate the activities at a mining encampment.

Director: David Yates
Writers: Adam Cozad (screenplay), Craig Brewer (screenplay) | 3 more credits
Stars: Alexander Skarsgård, Rory J. Saper, Christian Stevens | See full cast & crew

Storyline:

John Clayton following his parents' death in Africa would be raised by an ape and would be known by the name Tarzan, would leave Africa and go to his parents's home in England along with woman he fell in love with and married, Jane Porter. He would be asked by Belgian King Leopold to go to Africa to see what he has done there to help the country. Initially he refuses. But an American, George Washington Williams wants him to accept so he can accompany him. He says that Leopold might be committing all sorts of atrocities to achieve his goal like slavery. He needs to prove it. Clayton agrees and his wife insists that she accompany him because she misses Africa. They go and when they arrive a man named Rom who works for Leopold attacks the village they are at and captures Tarzan and Jane. With Washington's help he escapes and sets out to rescue Jane by going across the jungle and Washington joins him despite being told that he might not make it.

Technical Specifications:


Runtime
1 hr 50 min (110 min)
Sound Mix Datasat | Dolby Digital | Dolby Atmos | Auro 11.1
Color Color (ACES)
Aspect Ratio 2.35 : 1
Camera Red Epic Dragon, Leica Summicron-C and Angenieux Optimo Lenses
Negative Format Redcode RAW
Cinematographic Process Digital Intermediate (master format)
Redcode RAW (6K) (source format)
Spherical
Printed Film Format D-Cinema (also 3-D version) 

User Review: 

They finally portrayed the Tarzan character more like Burroughs wrote him! This is the best Tarzan movie I have ever seen. The acting is superb, and the settings are beautiful.

The movie was so good that it seemed like I wanted it to last longer. It was sheer entertainment!The stars of the film were really excellent in their roles, and I thought the two main characters perfectly played their roles. The rest of the cast were excellent also.

The story moves along briskly, and the plot is very effective. I believe people will enjoy it, even if they know nothing about Tarzan. This is a very enjoyable movie, and I recommend it. We are going to see it again this weekend and bring our family and friends!

I am really surprised at the mediocre reviews so far of this film. Honestly when I first heard about the film I had little interest in seeing it, but the trailer was better than I expected, and when has Christoph Waltz been anything short of terrific in every role he has played, but particularly when he is a bad guy. (Come to think of it has he ever been a good guy?) The whole cast is solid, and I really liked the historical setting concerning the Belgian King Leopold and his exploitation of the Congo.

I found all the animals and the CGI to be surprisingly cheesy. Undoubtedly the weakest link in the film, but that factor did not subtract much from a constantly entertaining and solid story. Besides the cheesy CGI the rest of the film looked terrific. I would recommend to see it on the big screen. It will probably lose a lot on smaller screens. Good summer popcorn film.

FLASHBACK: 1998… Having tracked the project from pre-production to final release, and with all the excitement and anticipation I'd built up for the film, I entered a dark theater in Little Rock, AR completely jacked UP to see "Tarzan And The Lost City". It was the Saturday noon matinée, first weekend of the release. Having read the original novels as a youth, I was looking so forward to the movie that would do justice for a modern audience regarding the character I grew up loving, dispelling all the silly pop-cultural stereotypes and giving him a proper and fitting introduction. I got the best seat in the house that day, but for the wrong reason as I looked around and realized I was the only one in the room. Optimistically, I later joked with friends that I'd gotten a "private screening" of the film. A few years later, I ended up launching my Tarzan fansite, TARZAN.CC, utilizing many graphics pilfered from the "Tarzan and the Lost City" website to emulate the look. It was my tribute to the film. And I soon began that journey of excitement and anticipation yet again for the new rumored Warner Bros. Tarzan project. I'd love to chronicle that adventure here, but it would distract from this review so I'll sum it up by recognizing the names of the fallen on that journey: Director John August, Director Guillermo del Toro and Screenwriter John Collee, Director Stephen Sommers… I finally lost hope that the film would ever come to fruition.

And then, a few years beyond a decade later, Warner Bros. were basically told to get their act together or lose their option on the project. And they stepped up to the challenge in spades with "THE LEGEND OF TARZAN".

Just last Tuesday, I was privileged to attend a private early screening with the film's producers, members of the Edgar Rice Burroughs family, several very esteemed persons tightly connected to the Tarzan universe in film, print, art, and fandom, plus a few friends I brought along to see how they received it.

On all fronts, "The Legend of Tarzan" was a KNOCK OUT OF THE PARK!!! A state of the art theater on the studio's own lot packed to the brim with eager fans; once again, the BEST seat in the house (depending on your tolerance). I was 2nd row center, with a HUGE screen in front of me and the killer audio rattling me to the bones.

The reaction to the film was UNANIMOUS as we applauded straight through the final credits. Finally, a studio who put the money necessary into producing the RIGHT film. Finally, a screenwriter and director who cared enough about the source material to fight hard for their vision of the film, and get the right actors for the job. And FINALLY… a film worthy of the original character of Tarzan from Edgar Rice Burroughs' original novels, with all his power, fearlessness, and without hesitation toward action against insurmountable challenges.

See this film expecting to see a fitting representation of real heroism driven by love, dedication, and absolute resolve. This generation has been sorely deprived of these types of positive, character-inspiring role models as marketing peeps have instead perfected the profitable art of catering to and nurturing our more dangerous, self-destructive instincts and childlike demands for instant gratification… and our society has unarguably become weaker for it. It's time for a whole new generation to rediscover their primal drive to love and protect their own, fight for their place in this world, and establish their individuality as leaders instead of followers. This is the film we've been WAITING for, and I'm encouraging people to drop their concepts and preconceptions, see the film, and learn from it. This is an ERB novel realized on screen, a true pulp adventure beautifully brought to life with dramatic excellence, and for new folks it might require the ability to step outsid.